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The scene is us and uncertainty is what we know how to navigate. Crises collide and we share concerns. But still, we see you doing great things. Join us in reflecting on collective affairs and adventures on the audiovisual scene and discussing relationships, values, craft, technology, visions, and feelings with creators from different art spheres.<\/p>\n\n\n\n
Make yourself comfortable, listen, ask, discuss and explore different voices and faces of Lunchmeat Festival and guests!<\/p>\n\n\n\n
With the support of the City of Prague, the Ministry of Culture of the Czech Republic, Czech Centres, the National Gallery Prague, Vinyla Music Awards, Bastl Instruments and Soundsyst\u00e9m \/ A2larm.<\/p>\n\n\n\n
\u2014 Central and Eastern European Music & Western Media
\u2014 Collective Affairs: Local Music Infrastructure
\u2014 Generative systems \/ the Use of AI & Festival Identity
\u2014 Synthetic\u202fModulation\u202fand\u202fHealing\u202fPower\u202fof\u202fvoice
\u2014 Analogue Approaches to Visual Music
\u2014 Writing about music
\u2014 Modular synthesizers
\u2014 Creative music programming for kids<\/p>\n\n\n\n
The Symposium is taking place in the Korzo \u2013 Veletr\u017en\u00ed pal\u00e1c, National Gallery Prague <\/a>and the whole program is FREE OF CHARGE.<\/p>\n\n\n\n
11.00 \u2013 15.00 Workshop: How To Write About Music w\/ Derek Walmsley (in EN)<\/strong>
UPD: Fully Booked <\/p>\n\n\n\n
\u2014 Derek Walmsley (The Wire)<\/p>\n\n\n\n
For those looking to unlock their music writing skills, bolster their journalistic credentials or hone their style, get practical tips on working in the industry, or just find the answers as to what makes writing about music a magical realm, this practical workshop designed for enthusiasts, amateurs, journalists, musicians and all in between is there for you. <\/p>\n\n\n\n
Derek Walmsley is the editor of the longrunning independent London music magazine The Wire. He has written about music since 2004 and contributed also to London Review of Books, Resident Advisor, The Quietus, When Saturday Comes and more.<\/p>\n\n\n\n
Capacity of the workshop is booked.<\/p>\n\n\n\n
16.30 \u2013 17.30 Generative Systems And AI In Festival’s Identity (talk in EN)<\/strong>
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\u2014 Dita Male\u010dkov\u00e1 (philosopher and independent artificial intelligence\/AI researcher)
\u2014 Jan Tyl (CEO of Alpha Industries s. r. o.) <\/p>\n\n\n\n
How does current artificial intelligence work? How will it affect our lives? In the lecture and subsequent discussion, Dita and Jan will discuss both the principles of contemporary AI and their own projects in which they used neural networks in the field of artistic creation. They will also tell us more about the collaboration with Lunchmeat Festival and Molly \u2013 a tool of their creation that stands behind this year festival\u2019s identity.<\/p>\n\n\n\n
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17.30 \u2013 19.00<\/strong> Across The Glass Curtain: Central And Eastern European Music & Western Media (discussion in EN)<\/strong>
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\u2014 Chris Bohn (The Wire)
\u2014 Ja\u0161a Bu\u017einel (The Quietus)
\u2014 \u0141ukasz Warna-Wies\u0142awski (independent journalist) <\/p>\n\n\n\n
host: Milo\u0161 Hroch (The Wire)<\/p>\n\n\n\n
Last year, an anonymous online pressure group accused UK & US music press of having a blindspot regarding sounds and music from former Eastern Bloc countries (Central and Eastern Europe), as well as other forms of systemic bias. Despite the slow “decentralisation” and positive change in some enlightened publications, the change and visibility are distributed differently.
What are the prevailing glass ceilings in the music industry, and is there a strategy to push through them \u2013 for artists, journalists, or label owners from the former Eastbloc side? On the other hand, what is the editorial strategy in such enlightened publications with global scope? How is this struggle for recognition evolving, and what can be done for more balanced coverage?<\/p>\n\n\n\n
10.00 \u2013 13.00<\/strong> Workshop: Creative Music Programming for Kids (in CZ\/SK)<\/strong><\/p>\n\n\n\n
\u2014 Fero Kir\u00e1ly<\/p>\n\n\n\n
Unconventional workshop focused on the development of musical creativity for primary school children offers a more contemporary and engaging alternative to the currently used ways of teaching music education in schools. Instead of a passive listening form and memorizing songs, it gives children the opportunity to create and learn music through its creation.<\/p>\n\n\n\n
Children will be able to easily compose their first song in a few hours and learn the basic principles of music. The workshop in children playfully strengthens the interest in music and develops their natural talents. Participants are not required to have prior knowledge of music or the ability to play a musical instrument. In the case of a creative music programming workshop, the SonicPi digital instrument becomes a children\u2019s tool.<\/p>\n\n\n\n
The workshop is suitable for complete beginners, but also for children who already have experience with music. The age limit is 10 \u2013 15 years. <\/p>\n\n\n\n
Fero Kir\u00e1ly is is an artist and teacher. He deals with art projects with an overlap in performance, sound art and sound installations, interpretations of contemporary music, the development of audiovisual instruments, as well as educational projects in the field of music, multimedia and creative coding. In his pedagogical field, he is the author of the audiovisual musical instrument Zvukodrom for children and music \/ music education teachers, as well as the Botanical Garden, which contains graphic scores, compositions and sound games for children. The collection has recently established itself in the area of Slovak basic art schools and has become a part of children\u2019s music education.<\/p>\n\n\n\n
www.ferokiraly.com\/<\/a><\/p>\n\n\n\n
Free entry
Register at info@lunchmeat.cz.
Capacity of the workshop is limited.<\/p>\n\n\n\n
\u2014 David Herzig (Noise Kitchen \/ Bastl Instruments)<\/p>\n\n\n\n
The workshop is suitable for beginners.<\/p>\n\n\n\n
In cooperation with Vinyla Music Awards.
Capacity of the workshop is booked.<\/p>\n\n\n\n
\u2014 recorded live for Soundsyst\u00e9m (A2larm)<\/p>\n\n\n\n
\u2014 Pavel Uret\u0161l\u00e9gr (Vinyla Music Awards)<\/p>\n\n\n\n
host: Anna\u202fRibansk\u00e1\u202f <\/p>\n\n\n\n
17.30 \u2013 18.15<\/strong> Pushing the Boundries of Voice (interview in EN)<\/strong><\/p>\n\n\n\n
\u2014 Sian O’Gorman (NYX electronic drone choir)<\/p>\n\n\n\n
host: Anna\u202fRibansk\u00e1\u202f <\/p>\n\n\n\n
\u2014 Pedro Maia (filmmaker)<\/p>\n\n\n\n
Bastl showroom<\/strong><\/p>\n\n\n\n
In cooperation with Vinyla Music Awards and Bastl Instruments.<\/p>\n<\/div>\n<\/div>\n\n\n\n